Time is the most important unit in the text and theatrical performance, and it is assumed by the visions of the author and the director, despite its immediate and inevitable existence. The research problem that resulted in the following question (How does the hypothesis of time work in contemporary theatrical performance?) The need for it came as it is a new topic that enters the field of theatrical performance as well as the goal of the research (technical organization of the relations between time and theater in its various manifestations, by identifying the mechanism that The theatrical director uses them in forming his virtual time) and defining terminology. In the second chapter, the first topic (philosophical statements and scientific theories that formed the concept of time in its interactive forms) and the artistic and aesthetic importance it carries in defining the concepts of time and the second topic (references that constitute the temporal hypothesis (restricted and free) for Theatrical director) and its importance in theatrical production industry and the application of the director’s visions. As for the third chapter, the research procedures were limited to the researcher in the research community, a group of performances, and he chose a theatrical research sample. Azizah is close to the subject of the research and analyzed according to the descriptive analytical approach. In the fourth chapter, the results of the research only, the researcher extracted the results and conclusions as well as the suggestions and recommendations, and the right to separate the list of sources and references and the research summary in English.

work, hypothesis, time